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- Day Gardens: Early Access Registration Now Open
Day Gardens: Early Access Registration Now Open
Be among the first to access Tyler Hobbs' latest series, Day Gardens, museum acquisitions, summer exhibitions and QQL Office Hours
Day Gardens: Tyler Hobbs’ newest series

Day Garden #34, Generative Design
We're excited to announce Tyler Hobbs' latest series, Day Gardens, premiering at Art Meta's Digital Art Mile in partnership with laCollection.
Day Gardens is a meditative body of work that explores the relationship between form, composition and texture. The algorithm crafted by Hobbs allowed him to discover arrangements that feel intentional and unexpected. The compositions range from stable and centered to subtly off-balance in ways that surprise yet feel purposeful and painterly.
How might space be broken down in a way that feels at once surprising and harmonious? How does one generate novelty without abandoning coherence? These are questions traditionally posed by painters, but here they are reframed through the lens of generative code.

Tyler in situ with Day Garden #21, #13, #17
From Garden to Algorithm
The palette of warm creams, muted pinks, and subtle grays emerges from observations in Hobbs' physical garden, where he discovered the parallels between coding and cultivation. Both practices involve setting parameters, nurturing growth, and embracing unpredictability as part of the creative process.
From thousands of algorithmic outputs, Hobbs undertook meticulous curation—mimicking a gardener choosing which seedlings to keep, tending to the algorithm's potential.

Tyler curating Day Gardens
Drawing from Diebenkorn and Ando
Drawing from Richard Diebenkorn's Ocean Park series, Ellsworth Kelly's formal clarity, and the spatial sensitivity of Tadao Ando's architecture, Hobbs transforms geometry from rigid structure into atmospheric language. He prioritizes composition and texture over complexity.
Like Tadao Ando's polished concrete surfaces, the grey tones function not as neutral backgrounds but as active participants. With such minimal structure, texture and color carry increased weight; slight shifts in tone or surface detail become central to the viewing experience.

Day Garden #35
Digital and Physical Forms
Day Gardens consists of 50 unique outputs. Half remain digital-only, while half include textured ink prints mounted on hand-stained wood panels measuring
24 x 30 x 2 inches (61 x 76 x 5 cm). The irregular wood grain offers a subtle counterpoint to the digital precision of the algorithm, grounding virtual forms in the analog world.

Day Garden #19, Left: Generative Design, Right: Textured Print on Hand-Stained Wood Panel
Collection Details
Releasing June 16, 2025, 6:00 (CET) (10:00 AM ET / 07:00 AM PT)
Digital-only works (#26-50): 5 ETH
Digital + Physical (#1-25): 8 ETH
Early Access Registration Now Open
Registrants will receive exclusive 24-hour early access beginning June 16, 2025. Any remaining works will then become available to the general public, with select pieces reserved for purchase at the Digital Art Mile during Art Basel.
Register for your opportunity to be among the first to access this series by entering your email here.
![]() Day Garden #22 | ![]() Day Garden #14 |
![]() Day Garden #13 | ![]() Day Garden #4 |
Day Gardens will be on view at Art Meta’s Digital Art Mile from June 16, 2025 to June 22, 2025.
Tyler Hobbs & Matt DesLauriers in Conversation
Order/Disorder Book Signing

Join Tyler Hobbs in conversation with Matt DesLauriers at Unit London for an Order/Disorder book signing.
The evening will feature the two artists exploring their creative processes and generative art, followed by a signing of Hobbs' debut monograph, Order/Disorder.
Limited copies of both the Collector's Edition and Trade Edition will be available for purchase on site.
Harbor Scene #1 (after John Henry Twachtman) acquired by Los Angeles County Museum of Art

Harbor Scene #1 (after John Henry Twachtman), 2024
The Los Angeles County Museum of Art (LACMA) has acquired Harbor Scene #1 (after John Henry Twachtman) along with its commemorative folio created for the "Remembrance of Things Future" initiative.
This collaborative project between LACMA and Cactoid Labs invited artists to engage with works from the museum's permanent collection, creating a dialogue between traditional and digital art forms.
Harbor Scene #1 (after John Henry Twachtman) represents Hobbs' response to Twachtman's original "Harbor Scene," reimagining the American Impressionist's gestural and unfinished qualities through computational processes. Hobbs' work preserves the freedom and looseness of Twachtman's brushwork while expanding it into new artistic territory.
The acquisition includes one of the commemorative folios, which contains prints of the Harbor Scene series, Twachtman's original painting, the algorithm's source code, an essay and quote by Hobbs, a photograph of the artist's childhood sailboat, a Certificate of Authenticity, and an NCF chip enabling on-chain registration of the physical work.

Harbor Scene #1 (after John Henry Twachtman) commemorative folio, 2024
Upcoming Exhibition:
Infinite Images: The Art of Algorithms

Front view of the Toledo Museum of Art, courtesy of the Toledo Museum of Art. Photo credit: Andrew Weber
The Studio is honored to announce our participation in the Infinite Images: The Art of Algorithms exhibition at the Toledo Museum of Art, curated by Julia Kaganskiy.
The exhibition explores the history and evolution of generative art, emphasizing its foundational role before AI-generated imagery.
Broken into four distinct sections, the exhibition will introduce audiences to generative art with the work of Vera Molnár, establishing its connection to other 20th century avant-garde movements. From there, viewers will learn about the role of randomness in generative systems, how artists leverage the material properties of digital media and computation for their art-making, and how these processes and models can be utilized to provide a new lens on the natural world.
Participating artists include: Anni Albers, Josef Albers, Max Bill, Dmitri Cherniak, Sofia Crespo, Deafbeef, Entangled Others, Tyler Hobbs, Larva Labs, Sol LeWitt, Zach Lieberman, LoVid, William Mapan, Sarah Meyohas, Vera Molnár, Operator, Quayola, Sam Spratt, Snowfro, Casey Reas, Anna Ridler, Monica Rizzoli, Jared Tarbell, and Emily Xie.
The installation includes several notable Fidenza works and a QQL Generation Station where visitors can create and view their own algorithmic art. As algorithms increasingly shape our world, Infinite Images: The Art of Algorithms offers a thoughtful look at how artists have long collaborated with systems. Opening July 12, 2025 and running through November 30, 2025.
![]() Fidenza #31, 2021 | ![]() Fidenza #410, 2021 |
![]() Fidenza #857, 2021 | ![]() Fidenza #636, 2021 |
Introducing QQL Office Hours

Have a QQL Mint Pass, but can't decide what to mint? Tyler is offering personalized Portfolio Reviews to help QQL Mint pass holders choose the perfect mint. This is a unique opportunity to receive direct feedback and guidance from QQL's co-creator on selecting pieces that best represent the QQL aesthetic and your personal vision.
Stay tuned to the Studio's X, Instagram, and Discord for details on upcoming QQL Office hours.
Thank you for following along with the studio's latest developments. We're honored to share these milestones with you and look forward to sharing what comes next.